Basic HTML Version
UCT Research Report '11
426
Chapters in books
Alexander, J. 2011. Notes on African Adventures and
Other Details. In Pep Subirs (ed.), Jane Alexander:
Surveys (from the Cape of Good Hope), pp. 70-77. New
York, Barcelona: Museum for African Art and Actar. ISBN
978-0-945802-57-0.
Alexander, J. 2011. Survey: Cape of Good Hope, 2005-
09. In Pep Subirs (ed.), Jane Alexander: Surveys (from
the Cape of Good Hope), pp. 63-69. New York, Barcelona:
Museum for African Art and Actar. ISBN 978-0-945802-57-0.
Lamprecht, A. 2011. Tretchikoff: The People’s Painter. In
Lamprecht, Andrew (ed.), Tretchikoff: The People’s Painter,
pp. 27-44. Johannesburg and Cape Town: Jonathan Ball.
ISBN 9781868424351.
MacKenny, V. 2011. Traces of Presence. In S. Inggs (ed.),
665 Making Prints with Light, pp. 76-86. Cape Town:
Michaelis School of Fine Art. ISBN 978-0-620-51872-7.
Richards, C. 2011. Human History: Pasts and prospects
in South African art today. In T. Goniwe, M. Pisarra and M
Majavu (eds), Visual Century: South African Art in Context
1907-2007 Volume 4, pp. 44-68. Johannesburg: Wits
University Press. ISBN 9781868145270.
Richards, C. 2011. Seeing, Believing and the Dead. In
F. Rankin-Smith (ed.), Figuring Faith: Images of Faith in
Africa, pp. 33-60. Johannesburg: Fourthwall Books. ISBN
978-0-9869850-6-5
Salley, R. 2010. To be Determined: Romare Bearden’s
Mysteries. In R. O’Meally, K. Mercer et al. (eds), Romare
Bearden in the Modernist Tradition, pp. 77-83. New York:
Romare Bearden Foundation. ISBN 978-0-615-20291-4.
Siopis, P. 2011. Shame in the house of Freud. In L. Farber
(ed.), On making: integrating approaches to practice-led
research in art and design, pp. 234-242. Johannesburg:
Faculty of Art, Design and Architecture, University of
Johannesburg. ISBN 978-0-620-49738-1.
Skotnes, P.A. 2011. A columbarium of words and a mode
of locution. In L. Farber (ed.), On making: integrating
approaches to practice-led research in art and design,
pp. 247-262. Johannesburg: Faculty of Art, Design and
Architecture, University of Johannesburg. ISBN 978-0-
620-49738-1.
Articles in Peer-reviewed Journals
Lamprecht, A. 2011. Smashing Shopfronts. African Arts.
44(2), Summer 2011. 32-41.
Salley, R. 2011. No One Size Fits All: Painting and Design.
Art South Africa, 09 (3): 40-41.
Younge, J.G.F. 2011. A pavilion too far? Art South Africa,
10(1): 34-37.
Younge, J.G.F. 2011. Bakgat Café. Art South Africa, 9(3): 18-19.
Younge, J.G.F. 2011. Ear, Nose and Throatbook. Art South
Africa, 9(4): 17.
Younge, J.G.F. 2011. Stolen. Art South Africa, 10(1): 16-17.
Younge, J.G.F. 2011. Umbilical Discord. Art South Africa,
9(2): 26.
Peer-reviewed published conference
proceedings
Langerman, F. 2011. Defining Order: Print,
Representational Taxonomies and Encyclopaedic
Knowledge Systems. In S. Hoskins (ed.), Proceedings
of IMPACT 6 Multidisciplinary Printmaking Conference
Proceedings, 04/09/2009 - 07/09/2009, University of
West England, Bristol. Bristol, UK: Centre for Fine Print
Research. ISBN 978-1-906501-03.
MacKenny, V. 2011. Vacated Spaces South African
Watercolour for Space, Ritual, Absence: Liminality in South
African Visual Art Colloquium presented by the Research
Centre Visual Identities in Art and Design (VIAD), Faculty
of Art, Design and Architecture (FADA), University of
Johannesburg. In Proceedings of Space, Ritual, Absence:
Liminality in South African Visual Art Colloquium, Faculty
of Art, Design and Architecture (FADA), University of
Johannesburg, 09, 96. Cape Town: Bell Roberts Publishing.
ISSN 16846133 - 09.
Creative works
Artistic works
Brundrit, J. 2011. (M)other Families. HUMA, University
of Cape Town. Event incorporating a solo exhibition
and a staged conversation with Natasha Distiller, fellow
collaborator in this research project.13/04/2011 to
13/04/2011.
Lamprecht, A. 2011. The Lost Vermeer and Other Cape
Town Treasures, a component of Time Flies. Cape Town:
Iziko Michaelis Collection, 21-26 February. 6 performances.
Produced in collaboration with director Myer Taub for the
Africa Centre Infecting the City Festival and funded by a
GIPCA Donald Gordon Creative Art Award, 2010. Duration:
1 hour per performance over 6 days.
Langerman, F. 2011. Commission: Multi-part permanent
installation. Public Health and Family Medicine
Department, UCT.